Paris, September 2026
Seven soulful Parisian days painting the figure in the most beautiful city in the world. A live model every morning — beside the Seine, through the Tuileries, in the Luxembourg Gardens. Thirty hours of instruction. The joie de vivre of the 6th arrondissement.
Reserve Your Seat — $700 Refundable DepositFor years, you have been the kind of painter who says someday. Someday you will go to France. Someday you will study with someone who understands how light and the figure orchestrate a story together — and what that story truly asks of you to paint it. Someday, when you feel ready, brave enough, worthy of Paris.
This is that invitation. Seven luxurious, soulful Parisian days — six painters, thirty hours of instruction from one of the most praised figurative pastel instructors working today. The Luxembourg Gardens. The Tuileries. The Rodin Garden, the banks of the Seine. A live model, every day, outdoors, in the exquisite light that shaped Sargent, Cassatt, and Degas.
Over five painting days, working in the gardens, beside the rivers, and through the great outdoor spaces of Paris where the Impressionists solved these exact problems, you will develop the skills that are hardest to build alone: how to place the figure as focal point in a complex Parisian scene; how to read and render the distinctive quality of French outdoor light; how to simplify ruthlessly toward a harmonious design; how to capture accurate skin tones and turn form with value and temperature; how to build the color relationships — temperature, saturation, the particular harmony of French light — that make a painting glow; and how to unify figure and environment into a complete, living scene.
You will leave Paris with five or more original paintings made here — an unrepeatable record of this specific week, this specific light, this specific September. You will leave a different painter than you arrived. And you will do it alongside five other serious painters who chose exactly what you chose. The connections that form in a week like this outlast the workshop.
"Six painters. Paris in September.
Someday is now available."
The $700 deposit is fully refundable through August 15, 2026. The only thing at stake in reserving your seat now is another year of waiting.
"Sargent painted the Luxembourg Gardens in the 1880s. In September, you will paint them too — figure in the foreground, afternoon light on the distinctive and timeless architecture of Paris, pastel in hand. The same light. A different painter. Your painting."
Each painting day unfolds in full. A lovely petit déjeuner at the hotel, then out — painting gear in hand — to the exquisite backdrop of Paris. A live model in the morning light: the Luxembourg Gardens, the Tuileries, the Rodin Garden, the banks of the Seine. Two three-hour sessions — morning and afternoon — with Mary demonstrating first, then working at each easel in turn. A long Parisian lunch between sessions, unhurried. By early evening, an aperitif and the quiet pleasure of the city settling around you. Then dinner — wine, French cooking, and five other painters who understand exactly what kind of day you just had. On Wednesday, the group visits the Musée d'Orsay and Sennelier — Paris's legendary art supply shop — a day built entirely around the painter's eye.
Romantic, luxurious, and elegant. Family-run for more than forty years, 4-star, set in the heart of the 6th arrondissement with the Luxembourg Gardens two minutes away.
"As soon as you enter the hotel, you will be seduced by the unique universe of Bonsoir Madame, directly inspired by the treasures of the famous neighboring Jardin du Luxembourg. Like a good evening whispered in your ear, the decoration is subtle, captivating, elegant."
— The proprietor, founded by his grandfather
Every morning begins with a lovely breakfast downstairs before we venture out, painting gear in hand. Every evening you return already where you want to be — inside the most beautiful, soulful quarter of Paris. Solo and shared rooms are both available, and both are fully included in the workshop price.
You arrive in Paris and you paint. Where you sleep, what you eat, which model poses in the morning light throughout the great outdoor spaces of Paris, where dinner is reserved tonight — all of it is handled. The $7,200 solo price ($6,400 shared) is the complete price. There is no list of expenses waiting at the other end.
"I love the way light, in concert with a human figure, beautiful objects, flowers, and faces, orchestrate a story," Mary says. "That story yields an experience of beauty greater than the sum of its parts." Her workshops are built entirely around this belief — and around the conviction that Paris, with its soulful ambience and the particular quality of its light, is the perfect place to pursue it.
She is not a workshop instructor who happens to travel. She has led destination workshops in France, Spain, and Greece for years — and she has built her entire teaching framework around the specific anxiety that brings a serious painter to a workshop: the fear of being the least capable person in the room. Mary removes it before the first pastel touches paper. She demonstrates first, in the same light, with the same model, so you see that the struggle is not a sign you do not belong. It is a sign you are painting.
Her international standing is documented: featured in Pratique des Arts, France's leading bimonthly fine art magazine (13,900+ Facebook followers), and reprinted in Le Manuel de l'artiste (Editions du Chevalet). When she teaches in Paris, it is not a foreign setting. It is a homecoming to the city she believes is the most beautiful, soulful, and aesthetic in the world.
"A rare instructor — whose focal point is the participant's complete experience."
— Past Workshop ParticipantEvery session — morning and afternoon — begins with a group demonstration. Then she works with each painter directly at their easel, one at a time: capturing accurate skin tones, turning form with value and temperature, simplifying shapes toward a harmonious and impactful design. At 6 painters maximum, no session ends without knowing exactly what your painting specifically needs next.
Seven soulful days structured entirely around the serious painter — and around Paris.
Check in to Hotel Bonsoir Madame. Settle into the 6th arrondissement — the Luxembourg Gardens two minutes away, Saint-Germain-des-Prés in every direction. The group gathers for the first dinner together: wine, introductions, and the beginning of a week that will recalibrate what you think is possible in a painting.
A lovely breakfast at the hotel. Then out into the exquisite beauty of Paris — the Luxembourg Gardens, the Tuileries, the Rodin Garden, the banks of the Seine, Notre Dame. Mary demonstrates first: capturing the essence and gesture of the figure against the backdrop of Paris, reading the light, orchestrating a story from what is directly before you. Two three-hour sessions — morning and afternoon — she works at your easel in turn, as the painting deepens session by session. By early evening, an aperitif and the quiet pleasure of the city settling into itself. Then dinner, wine, and the gentle revelation of what it feels like to live like a painter.
A structured visit through the Impressionist collection at the Musée d'Orsay — entrance included. After three days painting in the same light as Sargent, Monet, and Degas, you will stand before their paintings with a reckoning no previous visit has given you. Then, an afternoon at Sennelier — the legendary Parisian art supply shop on the Quai Voltaire, open since 1887, where Cézanne and Picasso sourced their materials. Browse, replenish, and take home something beautiful. Dinner in the evening, as always.
Back to the canvas with fresh eyes — and with what the Musée d'Orsay gave you. The same rhythm: breakfast, then out into Paris, two sessions of three hours each, Mary at your easel, the figure in the light of the city. An aperitif, then dinner. These are the days when the paintings come together — when the skills practiced in the first half of the week become something you can feel rather than think about.
One last breakfast in the 6th. You leave Paris carrying paintings made here — in September, in this specific light. You leave a different painter than you arrived: permanently recalibrated to a higher register of perception and beauty. You leave with the memory of five other serious painters who chose exactly what you chose. No future trip replicates this particular week. It happened once, directly witnessed and directly felt, and you were in it.
Paris offers a rare combination of beauty through all the arts, soulful ambience, and peace that can only inspire and elevate your creative life. September 18, 2026 comes once. The $700 deposit holds your seat and is fully refundable through August 15. The only cost of waiting is the year itself.
Reserve Your SeatThe deposit holds your seat and is fully refundable through August 15, 2026. Nothing prevents you from reconsidering between now and then — except the seats filling before you decide.
Fully refundable through August 15, 2026.
No financial risk to reserving now.
Questions? Mary is standing by.
mary@maryaslin.com